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The broken jug

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  • Theatre
  • Schauspielhaus Graz
  • 2010
“A clever, almost philosophical discourse, that always remains close to (theatre) life. Concrete and clear as daylight, as if lid by stage projectors.”
nachtkritik
“An evening that turns out to be a treasure. And should be the prototype of a serial.”
Kleine Zeitung

Events

    • 5 May 2011
      • Theater Heidelberg, Heidelberger Stückemarkt
    • 10 February 2011
      • Schauspielhaus Graz
    • 24 January 2011
      • Schauspielhaus Graz
    • 16 January 2011
      • Schauspielhaus Graz
    • 9 January 2011
      • Schauspielhaus Graz
    • 21 December 2010
      • Schauspielhaus Graz
    • 9 December 2010
      • Schauspielhaus Graz
    • 27 November 2010
      • Schauspielhaus Graz
      • World Premiere

Heinrich von Kleist suffered more than almost anyone else from the burden of linguistic subjectivity. Crises of reality and identity dominate his work. The author repeatedly uses the ambiguity of language to highlight the problem of its unreliability. In doing so, he radically questions the means of his artistic representation as well as the concept of truth.

This is the starting point for Nikitin's fourth theatre production and play development. Because he expects to encounter institutional difficulties during rehearsals, he uses not only Kleist's text but also his own play "Imitation of Life" as a model for his first city theatre work. Some scenes - the actor who talks about how he creates emotions and then actually begins to cry; the flickering fluorescent tubes that transform into a spectacle of light to Charles Ive's "Unanswered Question" - are adapted almost one-to-one.

Nikitin is thus continuing a practice of sampling that he began with his previous productions. "Der zerbrochne Krug" is a remake of "Imitation of Life" and at the same time an essay on the question of the recognisability and representability of the world. After "Woyzeck", it is Nikitin's second work that takes a classic of the theatre canon as a model for his own work.

Conceived, directed and designed by
Boris Nikitin
Stage design & concept
Matthias Meppelink
Performers & texts
Michael Jackenkroll, Gustav Königs
Dramaturgy
Regula Schröter
Assistant director
Manuel Czerny

Produced by
Schauspielhaus Graz

Premiere
27 Nov 2010

Trailer Schauspielhaus