F for Fake (after Orson Welles)

  • Theatre
  • Independent Production
  • 2008/2009
“As a scenic reflection on the uncatchable promises of the lies-and illusion-machinery of theatre Nikitin’s play cannot be topped.”
“With 'F for Fake', director Boris Nikitin and his gifted performer Malte Scholz polish up the image of a political shopworn topic such as 'media and manipulation' in an absolutely convincing meta-autonomous way. Nikitin and Scholz jazz up all the set pieces, from their own biography to the jazzed-up light show, to such an extent that, on the one hand, the copy of the copy of the copy suddenly exudes an unbeatable air of authenticity (…) Finally someone indeed questions the structural point that makes a content and a media relevant for each other.”
Theater heute
“A devilish-genious evening, that has been developed by the director Boris Nikitin and his performer Malte Scholz. It has the power to turn whole audiences into euphoria.”
“'F for Fake' is the concentrated result of the strongly conceptual Tour d´Horizon which “Woyzeck” still was as a pile of material. With “Fake” we see a departure from there to an intelligent as well as emphatic, ironic as well as authentic, a theatrically reflected as well as richly symbolic work. This is a real development toward a specific theatrical language which is both complex and comprehensible. This prize is to give an impulse for many more departures.”
Laudatio zum Dietmar N. Schmidt-Preis bei Impulse '09


    • 12 November 2010
      • Theater Neumarkt
    • 10 November 2010
      • Theater Neumarkt
    • 7 September 2010
      • Festival bestOFFStyria, Graz
    • 12 – 14 February 2010
      • Mousonturm, Frankfurt
    • 5 December 2009
      • Ringlokschuppen, Mülheim a. Ruhr
      • Festival "Impulse"
    • 4 December 2009
      • Prinz Regent-Theater, Bochum
      • Festival "Impulse"
    • 28 November 2009
      • FFT Düsseldorf
      • Festival "Impulse"
    • 23 May 2009
      • i-camp, München
    • 24 – 26 April 2009
      • Mousonturm, Frankfurt
      • Festival "plateaux"

Boris Nikitin's diploma production at the Institute for Applied Theater Studies and Malte Scholz's performance begin as a copy of "Woyzeck". The same person, the same costume, the same space. Everything is real and not real. What begins as a conceptual artistic gesture mutates over the course of 70 minutes into an intoxicating trip through the theater tunnel, including a fascist propaganda speech, a blurring of the boundaries between the documentary, a fake a baroque water feature and a howling kettle. The Zürcher Tagesanzeiger describes the performance as a "drug". Invited as one of ten outstanding independent theater works of 2007/08 to the "Impulse" festival. Awarded the Dietmar N. Schmidt Prize.

Conceived, directed and designed by
Boris Nikitin
Performer & texts
Malte Scholz
Kris Merken
Technical director
Johanna Seitz

Premiere: 20.7.2008, rehearsal stage, ATW Giessen
Invited to festival "Impulse" 2009.
Priced with Dietmar N. Schmidt-price.

Produced by Boris Nikitin. Cocomissioned by Festival "plateaux".
Supported by Kulturamt Stadt Giessen and Hessischen Theaterakademie.
Elaborated at Institut for Applied Theatre Studies Giessen.