Festival FETEAG Recife
17. Oktober 2019
Hamlet
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Festival FETEAG Caruaru
20. Oktober 2019
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Frascati, Amsterdam
07. Februar 2018
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MIT Sao Paulo
6.-8. März 2018
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Giro das Artes, Fortaleza
11./12. März 2018
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Mousonturm, Frankfurt
10./11. Juni 2018
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Nation Festival for the Arts, Grahamstown (South Africa)
28.-30. Juni 2018
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Little Theatre, Cape Town
4./5. Juli 2018
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FIT Lugano
8. Oktober 2017
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Gessnerallee Zürich
05./06. Oktober 2017
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Münchner Kammerspiele
8/9. Juli 2017
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Festival "Clasicos en Alcala", Madrid
29./30. Juni 2017
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Festival "Impulse", Köln
22./23. Juni 2017
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Hebbel am Ufer Berlin
7.-9. Juni 2017
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Festival AUAWIRLEBEN
18./19. Mai 2017
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Théàtre Vidy Lausanne, Programme "commun"
23.-26. März 2017
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Ringlokschuppen Ruhr
3./ 4. Februar 2017
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Onassis Cultural Centre Athen
16.-18. Dezember 2016
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La Vilette Paris
22.-27. November 2016
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Mousonturm, LAB
4. November 2016
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Kaserne Basel
26.-29. September 2016
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Kaserne Basel
24. September (Uraufführung) 2016
Concept, direction, text: Boris Nikitin
Performance, text: Julian Meding
Songs: Uzrukki Schmidt
Barockensemble: Der musikalische Garten
Stage desgin, costumes: Nadia Fistarol
Video: Georg Lendorff, Elvira Isenring
Dramaturgy, sound: Matthias Meppelink
Musical conception, Sound: Boris Nikitin, Uzrukki Schmidt, Matthias Meppelink, Der musikalische Garten
Stage design assistance: Susanna Lombardo, Helene Hunziker
Technical direction: Benjamin Hauser
Production managment: Annett Hardegen
Cocomissioned by: Kaserne Basel, Gessnerallee, Théatre Vidy, Ringlokschuppen Mülheim an der Ruhr and La Villette Paris, Münchner Kammerspiele, HAU Hebbel am Ufer, Südpol Luzern
Supported by: Fachausschuss Theater und Tanz BS/BL, Pro Helvetia, Ernst Göhner, Migros Kulturprozent, Kunststiftung NRW
Performance, text: Julian Meding
Songs: Uzrukki Schmidt
Barockensemble: Der musikalische Garten
Stage desgin, costumes: Nadia Fistarol
Video: Georg Lendorff, Elvira Isenring
Dramaturgy, sound: Matthias Meppelink
Musical conception, Sound: Boris Nikitin, Uzrukki Schmidt, Matthias Meppelink, Der musikalische Garten
Stage design assistance: Susanna Lombardo, Helene Hunziker
Technical direction: Benjamin Hauser
Production managment: Annett Hardegen
Cocomissioned by: Kaserne Basel, Gessnerallee, Théatre Vidy, Ringlokschuppen Mülheim an der Ruhr and La Villette Paris, Münchner Kammerspiele, HAU Hebbel am Ufer, Südpol Luzern
Supported by: Fachausschuss Theater und Tanz BS/BL, Pro Helvetia, Ernst Göhner, Migros Kulturprozent, Kunststiftung NRW
Theater heute: It's an evening that holds us while making us swing. (...) There are only a few directors who lead theatre to a critical point as Boris Nikitin currently does.
teatrojornal (Brazil):
Created for these times of expansion of body consciousness as a battlefield and exposed to the gaze, this solo joins a list of hybrid stagings that require the opening of gaps in the intellectual and affective repertoire for their full reception.
“Hamlet” is not a retelling of Shakespeare’s play but uses Shakespeare’s material as a mask with which to reflect on identity, individuality, delusion and reality. In a mixture of experimental documentary performance and queer music-theatre, the performer and electro-musician Julian Meding takes on the role of a contemporary Hamlet rebelling against reality. Supported by the award-winning Basel string quartet “The Musical Garden”, Meding embarks on a tour de force, in which he reveals himself, his body and his biography to the eyes of the audience. Is it even Meding? Or is it Hamlet? Is everything just a game? To be or not to be? Or both at the same time? “Hamlet” is all about poetic revolt: raw, coarse-grained, confrontational, anti-social and dazzling.